Ancient people of the world heralded a time of extraordinary achievement.
It was the age of the pyramid builders when some of the largest and most sophisticated structures of all time were built, including the last remaining Seven-Wonders of the ancient world.
“I believe we are a species with amnesia, I think we have forgotten our roots and our origins. I think we are quite lost in many ways. And we live in a society that invests huge amounts of money and vast quantities of energy in ensuring that we all stay lost. A society that invests in creating unconsciousness, which invests in keeping people asleep so that we are just passive consumers or products and not really asking any of the questions.”Graham Hancock
The Six Most Massive
The true age of most of these sites predates 12 thousand years and are built by a completely lost civilisation that appears to have spread across the world.
The Obelisk of Axum is a 4th-century CE, 24-metre tall phonolite stele, weighing 160 tonnes, in the city of Axum in Ethiopia. It is ornamented with two false doors at the base and features decorations resembling windows on all sides. The obelisk ends in a semi-circular top, which used to be enclosed by metal frames.
Solomon’s Temple, also known as the First Temple, is the name of a temple in Jerusalem, which, according to the Hebrew Bible, was built during the reign of King Solomon. It was destroyed in 587/586 BCE by the Neo-Babylonian Empire under the second Babylonian king, Nebuchadnezzar II. Although most scholars today agree that a temple existed on the Temple Mount by the time of the Babylonian siege, its construction date and the identity of its builder are debated. The Hebrew Bible, and specifically the Books of Kings, includes a detailed narrative about the construction of the temple by the Israelite king Solomon, who it says placed the Ark in the Holy of Holies, a windowless inner sanctum within the temple. Entry into the Holy of Holies was heavily restricted, and only the High Priest of Israel entered the sanctuary once per year on Yom Kippur, carrying the blood of a sacrificial lamb and burning incense.
The Colossi of Memnon are two massive stone statues of the Pharaoh Amenhotep III, which stand at the front of the ruined Mortuary Temple of Amenhotep III, the largest temple in the Theban Necropolis. They have stood since 1350 BC, and were well known to ancient Greeks and Romans, as well as early modern travelers and Egyptologists. The statues contain 107 Roman-era inscriptions in Greek and Latin, dated to between AD 20 and 250; many of these inscriptions on the northernmost statue make reference to the Greek mythological king Memnon, whom the statue was then – erroneously – thought to represent. Scholars have debated how the identification of the northern colossus as “Memnon” is connected to the Greek name for the entire Theban Necropolis as the Memnonium.
The Ramesseum is the memorial temple of Pharaoh Ramesses II. It is located in the Theban Necropolis in Upper Egypt, on the west of the River Nile, across from the modern city of Luxor. The name – or at least its French form Rhamesséion – was coined by Jean-François Champollion, who visited the ruins of the site in 1829 and first identified the hieroglyphs making up Ramesses’s names and titles on the walls. It was originally called the House of millions of years of Usermaatra-setepenra that unites with Thebes-the-city in the domain of Amon. Usermaatra-setepenra was the prenomen of Ramesses II.
The Stone of the Pregnant Woman or Stone of the South is a Roman monolith in Baalbek, Lebanon. Together with another ancient stone block nearby, it is among the largest monoliths ever quarried. The two building blocks were presumably intended for the nearby Roman temple complex, possibly as an addition to the so-called trilithon, and are characterised by a monolithic gigantism that was unparallelled in antiquity.
The unfinished obelisk is the largest known ancient obelisk and is located in the northern region of the stone quarries of ancient Egypt in Aswan, Egypt. It was studied in detail by Reginald Engelbach in 1922.
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