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The News-Benders | BBC

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Who Creates the News?

The News-Benders – 1968 |

Create and control the news and control the world. A rare old with future food for thought.

“The News-Benders” is a film directed by in 1968. The story revolves around Robert Larkin, a successful documentary film director, and a senior TV newsman named J.G. The plot unfolds in a short meeting between the two characters, showcasing unexpected twists and turns that reveal the manipulation and challenges within the news media industry. The film presents a thought-provoking perspective on news media as a tool for propaganda, blending entertainment with a critical examination of the industry.

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This excellent 30 minute play from 1968 lays out the plans ahead for , and a controlled society.

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Directed by
Starring and
From THIRTY MINUTE THEATRE, Two, 1968

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The News-Benders

Occult Revelations and the Psychology of Control

In 1968, the aired a rarely discussed yet profoundly revealing television play titled The News-Benders, directed by . This striking piece of media drama centres on a conversation between two men deeply embedded in the news industryโ€”Robert Larkin, a successful documentary filmmaker, and J.G., a senior television newsman. Beneath an ostensibly simple dialogue lies a scathing critique of the news media’s role as a tool for manipulation, propaganda, and the maintenance of power.

For those versed in psychological warfare, , and the subtle mechanisms of control exercised by the ruling kakistocracy (the government of the worst or least qualified),ย The News-Bendersย is far more than a dated drama. It is an early, chilling exposรฉ of the method by which narratives are crafted and realities are shaped. It discloses how churns out tailored content designed to keep the populace distracted, imbued with fear, and obedient to the carefully constructed illusion of control.

But why, in the shadowed halls of power, is this โ€œโ€ so often employed? Why reveal the inner workings of deception and manipulation, if such knowledge could awaken the masses?


The Occult Function of Revealing the Method

Revealing the method presents a paradox: On one hand, knowledge is power; on the other, such revelation often serves as an act of psychological warfare in its own right. The kakistocracy’s revelation is not accidentalโ€”it is deliberate, laced with esoteric significance.

  1. Mockery of the Profane: At an occult level, the โ€œprofaneโ€ (the ordinary, uninitiated public) are kept in a state of disempowerment through a form of knowing humiliation. By showing how the control is exercisedโ€”how news is crafted and how minds are bentโ€”those in power communicate a chilling message: โ€œWe control the narrative utterly. We own the system. And no matter what you think, you cannot change it.โ€ This form of mockery reinforces the separation between the initiated elite and the masses, deepening the divide of power.
  2. Demoralisation and Learned Helplessness: The revelation becomes a tool of demoralisation. Exposing the mechanics of manipulation does not necessarily galvanise resistance; it often breeds cynicism and despairโ€”โ€œThis is how it’s done, and nothing I do will matter.โ€ This cultivates learned helplessness, a psychological state harnessed to suppress dissent and activism. It is a subtle yet powerful means of social control embedded within the very act of exposing the lie.
  3. Initiation and the Illusion of Choice: Symbolically, the ritual of disclosure functions as a mock initiationโ€”an offering of โ€œsecret knowledgeโ€ layered within entertainment and propaganda. But unlike genuine esoteric initiation, which confers true empowerment through understanding and transcendence, this form of revelation is a trap: it provides partial insight framed in a way that strengthens . The audience is enticed to feel they are โ€œin the know,โ€ whilst remaining imprisoned within ‘s boundaries.
  4. Karmic Justification and the Role of Shadow: Within esoteric thought, the exposure of these dark arts of propaganda carries a Karmic element. By revealing the shadows, the puppet-masters acknowledge the polarity of their actions and invite the watchers into the shadow dance. It is a call to remember and confrontโ€”but also a challenge to discern, transcend, and break free from the spell.

Psychological Warfare and

, embodied by news organisations, entertainment, and mass media, serves as a psychological engine that sustains . Its primary objectives are threefold:

  • Distraction:ย Keeping the public’s focus occupied with trivialities, sensationalism, and spectacle.
  • Fear Programming:ย Instilling fear and uncertainty to justify control measures and obedience.
  • Ideological Conditioning:ย Reinforcing narratives that uphold power structures and suppress alternative perspectives.

These tactics form the backbone of , ensuring that political puppetry remains hidden in plain sight while seeming perfectly โ€œnatural.โ€


Remembering is Resistance

To the parasitic psychopathy steering world events from the shadowsโ€”the โ€œhidden handโ€ behind the curtainsโ€”their greatest fear is that the masses will remember: remember history, remember truth, and remember their inherent power beyond the constructed narratives.

The News-Benders holds a mirror to this shadow play, revealing how the news is not merely reportedโ€”it is created. It exposes the system of control, yet also invites a crucial choice: to be disempowered by knowledge or to become empowered through awareness and discernment.

For those committed to psychological resilience and breaking the chains of propaganda, remembering is the first and most potent act of rebellion. In the theatre of control, here lies our call to awaken, to see behind the curtain, and to reclaim our narrative.


This article is intended for readers who understand the invisible machinery steering world events. ‘s ultimate purpose is to keep the illusion aliveโ€”but knowledge, wisdom, and awareness remain the keys to dismantling it.

Source: THE NEWS-BENDERS (1968)

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